All in Crime

Wong Kar-Wai's FALLEN ANGELS

Wong Kar-Wai's FALLEN ANGELS

Dennis D. McDonald
Chinese, Crime, Drama, One of a Kind
One thought that popped into my mind at first about Fallen Angels was “style over substance.” That’s simplistic. Yes, there’s a ton of style here. There is also a lot of substance. It’s just that the substance is not the feel-good or warm-and-fuzzy type; at times things get really dark. How the movie is photographed supports that. But it’s a movie well worth watching.
Fritz Lang's THE BIG HEAT

Fritz Lang's THE BIG HEAT

Dennis D. McDonald
Crime
Forget the happy view of post-WWII America as fresh faced kids running around green lawns in mass produced split level suburbs fed by newly minted commuter highways and GI Bill educations. Metropolis director's Fitz Lang's 1953 film The Big Heat is a reminder of a darker time when brave film makers occasionally veered into crime, sex, and darkness, barely skittering around a Film Production Code that enforced moral views that did not include crime, sex, and darkness.
Akira Kurosawa's “HIGH AND LOW”

Akira Kurosawa's “HIGH AND LOW”

Dennis D. McDonald
Japanese, Kurosawa, Class Warfare, Cops, Crime
There is a scene in Kurosawa’s High and Low where police emerge from the house of a man, played by Toshiro Mifune (Red Beard), whose lost kidnapping ransom, paid to recover the son of his chauffeur, has caused his total financial ruin. Yet there he is, calmly mowing his lawn with his power mower, while his life collapses around him. He seems to be enjoying himself. Life goes on.
Ram Gopal Varma's COMPANY

Ram Gopal Varma's COMPANY

Dennis D. McDonald
Crime, Indian
That the life of crime can be portrayed as glamorous, dangerous, brutal, and ultimately as pointless is something we in the West have grown accustomed to. We have films like THE GODFATHER and GOODFELLAS that reinforce that as they simultaneously attract and repel us.