Yoshiyuki Momose’s "THE IMAGINARY"
Movie review by Dennis D. McDonald
Kids’ movies about imaginary friends might be common, but The Imaginary has several characteristics that make it special.
Artwork
The animation and artwork are exemplary and gorgeous. Both urban and rural environments are rendered using beautiful drawings and traditional techniques, even when rapidly evolving fantastical events are being portrayed. Remember the parade scene in Paprika? Be prepared for some similar imagery.
Story
The story in this PG rated film starts out feeling recognizable. A young girl in a troubled home with an overactive imagination not only has an imaginary friend, but she also constructs amazingly illustrated worlds into which she and her friend escape. But soon we see a darker side of her imaginary world.
Characters
We eventually see that the problems she experiences in her imaginary world must be addressed by her imaginary friend and his newfound allies. The number of characters rapidly expands including—remember this is a Japanese film—a talking cat.
Crossover
While the crossover between real and imaginary worlds is handled initially via a fairly standard Alice In Wonderland style portal, eventually the relationship between the two worlds becomes complicated as danger emerges into the real world and an accident occurs that has repercussions in the imaginary world.
Rating
This is a PG rated film. I would think carefully about how very young children will handle it. The death of a parent is referenced early on but that is a standard Disney plot point. There are some scary scenes that will frighten really young kids accustomed only to formulaic manufactured animated TV series.
My six-year-old granddaughter, already an experienced Miyazaki fan and lover of films like Bubble, Suzume, and My Oni Girl, liked it very much.
Someone with a preference for a Minions-style humor might not appreciate it. The dialogue is very well written. English voice acting is solid. Plot points are revealed in ways that assume the viewer is paying close attention.
Review copyright 2024 by Dennis D. McDonald, www.ddmcd.com/movies
