All in History

Santosh Sivan's “ASOKA”

Santosh Sivan's “ASOKA”

Dennis D. McDonald
History, Indian, Shahrukh Khan
This epic film by Santosh Sivan (The Terrorist) follows the historic emperor Asoka as he brutally unites ancient India through warfare, then recants and proselytizes Buddhist philosophy after seeing the errors of his power hungry ways. His road is littered with broken hearts, family infighting, murder, massive battles, and tragedy.
Steven Spielberg's MUNICH

Steven Spielberg's MUNICH

Dennis D. McDonald
History, Intelligent, Spielberg, Thriller
That the issues raised by this faux history of events kicked off by the massacre of Israelis at the 1972 Olympics are still so relevant is a testament to Spielberg’s intelligence and sense of morality. It also helps that he’s a terrific film-maker who is willing to attack complex topics in an intelligent, personal, and thoughtful way.
Expo: Magic of the White City

Expo: Magic of the White City

Dennis D. McDonald
Documentary, History
This documentary about the 1893 World's Fair in Chicago is the perfect companion to the book The Devil in the White City. While the latter's serial murderer is never mentioned in the documentary, the visual splendor of the Fair is portrayed in a detailed and awesome manner on the screen.

Mani Ratnam's BOMBAY

Dennis D. McDonald
History, Indian
The theme of this movie is religious intolerance. What starts out as “forbidden love” between a small-town Hindu boy and Muslim girl becomes a horror story as they take their “forbidden love” to the big city, Bombay. There they land right in the middle of the vicious religious cultural riots of 1992-1993.
Martin Scorsese's THE AVIATOR

Martin Scorsese's THE AVIATOR

Dennis D. McDonald
Aircraft, History
The Aviator is a grand and unique combination of glamour, adventure, intrigue, spectacle, humor, tragedy, and melodrama. It's about big, famous people doing things that we expect big, famous people to do. And it uses all the power that modern filmmaking technology has to offer. But its focus, ultimately, is on people and the things they do. The fact that the people inhabit (and helped create) the world of today is a definite plus, and Scorsese makes the most of this.